"I say nothing else—I say it all the while. I said it the other day a dozen times." Fleda made no immediate rejoinder to this, and before she could choose one he repeated his question of a moment before. "Am I to tell my solicitor to act?" Fleda wondered. "The other day?"!

Fleda felt herself flush slightly, but she tried to smile. "Did you tell her all about it? Did you make her understand you want me?" "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.

"But if he knew that so well, what chance was there in it for her?" From her step she looked down into his raised face. "Ah, you see it's not true that you're free!" She seemed almost to exult. "It's not true—it's not true!" "Because you were closeted with him here so long. You can't pretend at present, you know, not to have any art."